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	<title>expl</title>
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		<title>expl</title>
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		<title>oscillation</title>
		<link>http://expl.wordpress.com/2007/03/22/oscillation/</link>
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		<pubDate>Thu, 22 Mar 2007 16:23:32 +0000</pubDate>
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		<description><![CDATA[Main Entry: os·cil·late Pronunciation: &#8216;ä-s&#38;-&#8221;lAt Function: intransitive verb Inflected Form(s): -lat·ed; -lat·ing Etymology: Latin oscillatus, past participle of oscillare to swing, from oscillum swing Date: 1726 1 a : to swing backward and forward like a pendulum b : to &#8230; <a href="http://expl.wordpress.com/2007/03/22/oscillation/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=75&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Main Entry: os·cil·late<br />
Pronunciation: &#8216;ä-s&amp;-&#8221;lAt<br />
Function: intransitive verb<br />
Inflected Form(s): -lat·ed; -lat·ing<br />
Etymology: Latin oscillatus, past participle of oscillare to swing, from oscillum swing<br />
Date: 1726<br />
1 a : to swing backward and forward like a pendulum b : to move or travel back and forth between two points<br />
2 : to vary between opposing beliefs, feelings, or theories<br />
3 : to vary above and below a mean value<br />
synonym see SWING<br />
- os·cil·la·to·ry /&#8217;ä-s&amp;-l&amp;-&#8221;tOr-E, -&#8221;tor-/ adjective</p>
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		<title>Experiment</title>
		<link>http://expl.wordpress.com/2007/03/08/experiment/</link>
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		<pubDate>Thu, 08 Mar 2007 01:08:28 +0000</pubDate>
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		<description><![CDATA[Look at the video down the page. So silent and like an endless repetition of something completely un-understandable, amazing, and yet without any purpose.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=74&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Look at <a href="http://www.uni-regensburg.de/Fakultaeten/nat_Fak_IV/Organische_Chemie/Didaktik/Keusch/D-oscill-e.htm">the video</a> down the page. So silent and like an endless repetition of something completely un-understandable, amazing, and yet without any purpose.</p>
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		<title>alarm</title>
		<link>http://expl.wordpress.com/2007/02/22/alarm/</link>
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		<pubDate>Thu, 22 Feb 2007 04:35:03 +0000</pubDate>
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		<description><![CDATA[here are some ideas for Non-language, audio and compulsory guidance which might provide some ideas for our presentation.                                                                                                                                                                                                  A warning system is any system of biological(such as fear and pain) or technical nature deployed by an individual or group to &#8230; <a href="http://expl.wordpress.com/2007/02/22/alarm/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=73&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span><font face="新細明體">here are some ideas for<strong> Non-language, audio and compulsory guidance</strong> which might provide some ideas for our presentation.      </font></span><span><font face="新細明體">                                                                                                                                                                                            A <strong>warning system</strong> is any system of biological(such as fear and pain) or technical nature deployed by an individual or group to inform of a future danger. Its purpose is to enable the deployer of the warning system to prepare for the danger and act accordingly to militate against or avoid it.</font></span><span><font face="Times New Roman"> </font></span><span> </span><span><font face="Times New Roman">An <strong>audio evacuation system</strong> is a type of fire alarm system. In addition to sirens, horns, bells, or alarm tones, an audio evacuation system plays a voice message with evacuation instructions.</font></span><span><font face="Times New Roman"> </font></span><span><span><font face="新細明體">A <span>civil defense<strong> siren</strong></span> is an electrically-powered mechanical device for generating sound to provide warning of approaching danger and to indicate when the danger has passed.</font></span><strong><span><font face="新細明體">False alarm</font></span></strong><span><font face="新細明體">Some newer sirens have the ability to broadcast voice messages over large areas, depending on winds and noise. These electronic sirens are similar to electromechanical sirens; however, they rely on a series of large loudspeakers to produce sound. However, there is some question about the ability of a system of electronic sirens to broadcast a voice message with sufficient intelligibility over long distances &#8211; not only does the sound echo off some surfaces, the sound could have multiple arrival times from widely-spaced siren sites.</font></span></p>
<p></span></p>
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		<title>Postmodern Flanerie</title>
		<link>http://expl.wordpress.com/2007/02/21/postmodern-flanerie/</link>
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		<pubDate>Wed, 21 Feb 2007 20:23:06 +0000</pubDate>
		<dc:creator>expl</dc:creator>
				<category><![CDATA[guide / guidance]]></category>
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		<description><![CDATA[Hi everyone&#8230; Just to add an art historical element to the lab, I&#8217;ve been looking into Surrealist theory, particularly Breton&#8217;s concept of &#8216;Automatism&#8217;, his auto-biographical &#8217;Nadja&#8217;, Baudelaire&#8217;s &#8216;Forest of Symbols&#8217;, Aragon&#8217;s &#8216;Paris Peasant&#8217;, the idea of &#8216;profane illumination&#8217; and other writings on the Surrealist City.  The flaneur is the key &#8230; <a href="http://expl.wordpress.com/2007/02/21/postmodern-flanerie/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=72&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Hi everyone&#8230;</p>
<p>Just to add an art historical element to the lab, I&#8217;ve been looking into Surrealist theory, particularly Breton&#8217;s concept of &#8216;Automatism&#8217;, his auto-biographical &#8217;Nadja&#8217;, Baudelaire&#8217;s &#8216;Forest of Symbols&#8217;, Aragon&#8217;s &#8216;Paris Peasant&#8217;, the idea of &#8216;profane illumination&#8217; and other writings on the Surrealist City.  The flaneur is the key theme&#8230;which led me onto placing it within the twenty-first century context, investigating how the modern day &#8216;flaneur&#8217; navigates the cityscape visually, but more interestingly, aurally&#8230;not only within the confines of the city, but all that extends beyond it.</p>
<p> a few thoughts and references&#8230;</p>
<ul>
<li><strong>Aural &#8216;forest of symbols&#8217;?</strong> How sounds govern/guide everyday existence.</li>
<li><em><strong>&#8220;Qui suis-je?&#8221;</strong></em> ..Modes of self-exploration: mentally investigating the private whilst physically inhabiting the public. </li>
<li><strong>Psychological</strong> spaces.  </li>
<li>Achieving a <strong>sense of &#8216;place&#8217;</strong>.</li>
<li>SOUNDS IN THE CITY &#8211; see <em><strong>The Auditory Culture Reader</strong></em> for texts by Fran Tonkiss (<em>Aural Postcards: Sound, Memory &amp; The City</em>), Les Back (<em>Sounds in the Crowd</em>), Jean-Paul Thibaud (<em>The Sonic Composition of the City</em>), Caroline Bassett (<em>How Many Movements?</em>) and Michael Bull (<em>Soundscapes of the Car</em>)</li>
<li>Paris as &#8216;<em>lieu de memoire&#8217;</em> in twentieth century&#8230;modern day equivalents?? See <em><strong>False Urban Memory Syndrome</strong> </em>by Austin Williams <a href="http://www.futurecities.org.uk/archive/arch_essay03.html">http://www.futurecities.org.uk/archive/arch_essay03.html</a></li>
<li>The &#8216; non-place&#8217;&#8230; <em><strong>Head Out on the Highway: Anthropological Encounters with the Supermodern</strong></em> by Samuel Collins <a href="http://www3.iath.virginia.edu/pmc/text-only/issue.996/review-2.996">http://www3.iath.virginia.edu/pmc/text-only/issue.996/review-2.996</a></li>
<li>The Cyborg Flaneur? &#8211; see<em><strong> Passage of the Flaneur</strong></em> by Gaylene Barnes <a href="http://www.raynbird.com/essays/Passage_Flaneur.html">http://www.raynbird.com/essays/Passage_Flaneur.html</a></li>
<li><strong><em>Postmodern flaneur?</em></strong> <a href="http://rhizome.org/thread.rhiz?thread=34&amp;page=1#1031">http://rhizome.org/thread.rhiz?thread=34&amp;page=1#1031</a></li>
<li><strong><em>Data-flaneur</em></strong> and <strong><em>data-dandy </em></strong><a href="http://www.mith2.umd.edu/teaching/courses/s06/engl758a/?p=29">http://www.mith2.umd.edu/teaching/courses/s06/engl758a/?p=29</a></li>
</ul>
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		<title>net art / software art links</title>
		<link>http://expl.wordpress.com/2007/02/13/net-art-software-art-links-2/</link>
		<comments>http://expl.wordpress.com/2007/02/13/net-art-software-art-links-2/#comments</comments>
		<pubDate>Tue, 13 Feb 2007 17:44:09 +0000</pubDate>
		<dc:creator>expl</dc:creator>
				<category><![CDATA[Artists]]></category>
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		<description><![CDATA[Hi, found these links in my arhive. some of them might be interesting for our project. NET ART: A classical early 90s work by the duo Jodi: Jodi &#8211; failure and aesthetics&#8230; Carlo Zanni: eBay Landscape &#8211; a landscape based &#8230; <a href="http://expl.wordpress.com/2007/02/13/net-art-software-art-links-2/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=71&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Hi, found these links in my arhive. some of them might be interesting for our project. </p>
<p>NET ART:<br />
A classical early 90s work by the duo Jodi: <a href="http://wwwwwwwww.jodi.org/">Jodi</a> &#8211; failure and aesthetics&#8230;</p>
<p>Carlo Zanni: <a href="http://www.zanni.org/ebaylandscape/">eBay Landscape</a> &#8211; a landscape based on real-time informations on the internet; fx eBay, CNNs ect. Made me think of Tomo&#8230;</p>
<p>Jimpunk: <a href="www.jimpunk.com/1n-0ut/">1n-0ut</a> takes control of your computer&#8230;take care!</p>
<p>SOFTWARE ART (<strong>these are the most interesting for our guidance theme &#8211; resistance of softwareguidance&#8230;</strong>):<br />
Adrian Ward: <a href="http://www.auto-illustrator.com/">Auto-illustrator</a>  &#8211; shows how software programs controls/influence creativity</p>
<p>Peter Luining: <a href="http://formulas.ctrlaltdel.org/">Formulas</a> and <a href="http://www.ctrlaltdel.org/plugins_revised/">Plug-ins Revised</a>. A plug-in to your softwareprogram &#8211; here it&#8217;s photoshop &#8211; you have to download. Then you have the opportunity to use a Michel Foucault-filter on your pictures in photoshop&#8230; </p>
<p>hope you enjoy the readingweek&#8230; sidsel</p>
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			<media:title type="html">expl</media:title>
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		<title>net art / software art links</title>
		<link>http://expl.wordpress.com/2007/02/13/net-art-software-art-links/</link>
		<comments>http://expl.wordpress.com/2007/02/13/net-art-software-art-links/#comments</comments>
		<pubDate>Tue, 13 Feb 2007 17:38:39 +0000</pubDate>
		<dc:creator>expl</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[guide / guidance]]></category>
		<category><![CDATA[Sidsel]]></category>
		<category><![CDATA[Virtual space]]></category>

		<guid isPermaLink="false">http://expl.wordpress.com/2007/02/13/net-art-software-art-links/</guid>
		<description><![CDATA[Hi, found these links in my arhive. some of them might be interesting for our project. NET ART: A classical early 90s work by the duo Jodi: Jodi &#8211; failure and aesthetics&#8230; Carlo Zanni: eBay Landscape landscape based on real-time &#8230; <a href="http://expl.wordpress.com/2007/02/13/net-art-software-art-links/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=70&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Hi, found these links in my arhive. some of them might be interesting for our project. </p>
<p>NET ART:<br />
A classical early 90s work by the duo Jodi: <a href="http://wwwwwwwww.jodi.org/">Jodi</a> &#8211; failure and aesthetics&#8230;</p>
<p>Carlo Zanni: <a href="http://www.zanni.org/ebaylandscape/">eBay Landscape</a> landscape based on real-time informations int the internet; fx eBay, CNNs ect. Made me think of Tomo&#8230;</p>
<p>Jimpunk: <a href="www.jimpunk.com/1n-0ut/">1n-0ut</a> takes control of your computer&#8230;take care!</p>
<p>SOFTWARE ART (<strong>these are the most interesting for our guidance theme &#8211; resistance of softwareguidance&#8230;</strong>):<br />
Adrian Ward: <a href="http://www.auto-illustrator.com/">Auto-illustrator</a>  &#8211; shows how software programs controls/influence creativity</p>
<p>Peter Luining: <a href="http://formulas.ctrlaltdel.org/">Formulas</a> and <a href="http://www.ctrlaltdel.org/plugins_revised/">Plug-ins Revised</a>. A plug-in to your softwareprogram &#8211; here it&#8217;s photoshop &#8211; you have to download. Then you have the opportunity to use a Michel Foucault-filter on your pictures in photoshop&#8230; </p>
<p>hope you enjoy the readingweek&#8230; sidsel</p>
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		<title>theory</title>
		<link>http://expl.wordpress.com/2007/02/08/theory/</link>
		<comments>http://expl.wordpress.com/2007/02/08/theory/#comments</comments>
		<pubDate>Thu, 08 Feb 2007 16:02:15 +0000</pubDate>
		<dc:creator>expl</dc:creator>
		
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		<description><![CDATA[Ian Penmann (in Undercurrents): Voice and the microphone Steven Connor : On ventriloquism Alvital : The Telephone Book Agamben : The State of Exception Derrida : on copyright Michel Serres : Les sanc sens (Empire of the Senses, essay by &#8230; <a href="http://expl.wordpress.com/2007/02/08/theory/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=69&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal">Ian Penmann (in <em>Undercurrents</em>): Voice and the microphone</p>
<p class="MsoNormal">Steven Connor : On ventriloquism</p>
<p class="MsoNormal">Alvital : The Telephone Book</p>
<p class="MsoNormal">Agamben : The State of Exception</p>
<p class="MsoNormal">Derrida : on copyright</p>
<p class="MsoNormal">Michel Serres : Les sanc sens (Empire of the Senses, essay by Steven Connor)</p>
<p class="MsoNormal">Deleuze :</p>
<p class="MsoNormal">Foucaul :</p>
<p class="MsoNormal">Andre Breton : The city</p>
<p class="MsoNormal">Aragon :</p>
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		<title>Keywords</title>
		<link>http://expl.wordpress.com/2007/02/08/keywords/</link>
		<comments>http://expl.wordpress.com/2007/02/08/keywords/#comments</comments>
		<pubDate>Thu, 08 Feb 2007 16:01:45 +0000</pubDate>
		<dc:creator>expl</dc:creator>
				<category><![CDATA[Elena]]></category>
		<category><![CDATA[guide / guidance]]></category>
		<category><![CDATA[Hannah]]></category>
		<category><![CDATA[Hsing-Yu]]></category>
		<category><![CDATA[Mehtap]]></category>
		<category><![CDATA[minutes]]></category>
		<category><![CDATA[Mirene]]></category>
		<category><![CDATA[Sidsel]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[theory]]></category>
		<category><![CDATA[Tomo]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://expl.wordpress.com/2007/02/08/keywords/</guid>
		<description><![CDATA[Sampling, citation Ventriloquy Politics, voice, bare life Voice and the microphone &#8211; how to talk in the microphone/megaphone William S. Borroughs : Tony and Bill Science and travel &#8211; positive science Law and travel &#8211; related to subjective experience Language, &#8230; <a href="http://expl.wordpress.com/2007/02/08/keywords/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=68&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Sampling, citation<br />
Ventriloquy<br />
Politics, voice, bare life<br />
Voice and the microphone &#8211; how to talk in the microphone/megaphone<br />
William S. Borroughs : <a href="http://www.youtube.com/watch?v=TtyaIcNWlXQ">Tony and Bill<br />
</a><br />
Science and travel &#8211; positive science<br />
Law and travel &#8211; related to subjective experience<br />
Language, law and science<br />
Kancelli &#8211; law language</p>
<p><strong>The societies of control</strong> &#8211; relates to the temporality of guidance &#8211; guidance is for beginners, continuity (the subject moves from institution to institution, each of them having its own rules. When people move to a new institution they need guidance). Language is important &#8211; as guidance<strong> </strong>of guidance. <strong><br />
Disciplinary societies</strong>, discontinuity &#8211; Foucault<br />
<strong> Continuity and discontinuity<br />
Lifelong learning<br />
</strong>Selfgouvernmentality</p>
<p>Guidance through senses</p>
<p>Visualisation of sound.<br />
Dopplereffect &#8211; situating oneself by the sound of something passing by</p>
<p>Alarmsystem<br />
Civil Defence Siren<br />
Audioevacuation<br />
False alarm</p>
<p>Revolutionary slogans</p>
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		<title>Doppler Effect</title>
		<link>http://expl.wordpress.com/2007/02/07/doppler-effect/</link>
		<comments>http://expl.wordpress.com/2007/02/07/doppler-effect/#comments</comments>
		<pubDate>Wed, 07 Feb 2007 21:58:31 +0000</pubDate>
		<dc:creator>expl</dc:creator>
				<category><![CDATA[guide / guidance]]></category>
		<category><![CDATA[Next Presentation]]></category>
		<category><![CDATA[Sidsel]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://expl.wordpress.com/2007/02/07/doppler-effect/</guid>
		<description><![CDATA[Sound of a car passing by Explanation of the doppler effect Moving image of the soundwaves Dopplereffekt<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=67&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.hj-gym.dk/fagene/fysik/virtuel/boelger/carhorn.wav">Sound of a car passing by</a><br />
<a href="http://www.gmi.edu/~drussell/Demos/doppler/doppler.html">Explanation of the doppler effect</a><br />
<a href="http://www.toender-gym.dk/mbs/fysik/ntnujava/Doppler/Doppler.html">Moving image of the soundwaves</a><br />
<a href="http://www.gigolorecords.com/data.pl?release=Gigolo32mp3">Dopplereffekt</a></p>
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		<title>Guidance</title>
		<link>http://expl.wordpress.com/2007/02/02/guidance-2/</link>
		<comments>http://expl.wordpress.com/2007/02/02/guidance-2/#comments</comments>
		<pubDate>Fri, 02 Feb 2007 18:48:26 +0000</pubDate>
		<dc:creator>expl</dc:creator>
				<category><![CDATA[guide / guidance]]></category>
		<category><![CDATA[Mehtap]]></category>

		<guid isPermaLink="false">http://expl.wordpress.com/2007/02/02/guidance-2/</guid>
		<description><![CDATA[Guidance can refer to many things, although it is generally understood as an activity related to our senses: smelling, hearing, touching, seeing, tasting and even the sixth sense. With regard to this, guidance is both exterior to oneself like using &#8230; <a href="http://expl.wordpress.com/2007/02/02/guidance-2/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=expl.wordpress.com&amp;blog=571712&amp;post=66&amp;subd=expl&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Guidance can refer to many things, although it is generally understood as an activity related to our senses: smelling, hearing, touching, seeing, tasting and even the sixth sense. With regard to this, guidance is both exterior to oneself like using tools or codes of guidance but also interior with respect to decisions, feelings. I believe that although guidance is too much related and controlled by power, the same guidance for different people have a differentiating effect in every individual. For the reason that, every experience contain a potential individuality which will constitute a potential for guidance to be different, failure or success.</p>
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